This weekend, the taiko drumming ensemble, Fushu Daiko, will perform for the 20th time at Hatsume. Hatsume Fair is the Morikami’s springtime festival, spanning two days and 14 hours of fun. (11 a.m.-6 p.m. Saturday and Sunday)
I’ve been working with the Morikami for the past 10 years; so for half that time, I have witnessed Fushu Daiko’s thundering influence on Hatsume crowds. Amazing cannot describe the energy and excitement when they take the stage.
When I first started writing for the museum, I knew NOTHING of taiko drumming, so my family and I traveled down to their warehouse-like studios in western Ft. Lauderdale. They were rehearsing at night, and we stood silently by and listened. It felt like a train was barreling through that bay. The wooden sticks flew up and down in synchronized rhythms, as people of all shapes and sizes, sweated out the music. It looked more like a workout than a musical performance. Of course, it was both.
I learned that when my family and I took a taiko drumming workshop at the Morikami several years later. Inside the auditorium, we were paired up with a big taiko drum and a pair of fat wooden sticks. You assume a warrior-type, yoga stance to support your body and hit the drum with measured ferocity. Everything hurts when you’re done. Your back, your legs, your hands, your arms.
At that moment, when I walked off the auditorium stage, sweaty and tired, I gained new respect for the men and women of Fushu Daiko, who perform three times a day for two days at Hatsume in sets that can last for 30 minutes or more.
A few rules have emerged over years of watching Fushu Daiko at Hatsume:
1) Stake a seat early if you want to see the action up close. By the time the drums start thundering, it’s standing room only, and I always get stuck behind a really tall dude.
2) If it’s hot, wear sunscreen, but don’t put up an umbrella or some other covering. It’s not nice to the people behind you, who want to see the stage too!
3) Don’t expect the drummers to be Japanese. There are some drummers of Japanese heritage in Fushu Daiko, but the diversity on stage is representative of the diversity of South Florida – black, white, Hispanic, male, female, young, old(er) – all have become part of the troupe that sends the booming message that it’s Hatsume time!
Happy Anniversary, Fushu Daiko!